The much awaited Evita hit the boards at Milton Keynes theatre for its second night on Tuesday evening. So much was expected of this iconic show that it was with some in trepidation I took my seat; however, any fears and worries that I had were dispelled as the curtain rose on what can only be described as a fabulous production. If you want drama, pathos, exceptional staging and lighting, excellent harmonies and disciplined movement, then this is the show to see.

The cast on mass, and at certain times there are around 40 members on stage, managed to give a slick, colourful and dare I say upbeat performance, a noticeable feat bearing in mind  the show now in its thirtieth year can be a bit black, sombre and dour.

Louise Dearman led the way and gave a moving performance as Evita, although there were some vocal issues especially in her lower register when diction and power diminished. However her acting capabilities are not in doubt as she had the entire audience hanging on her every syllable at the conclusion of the show.

Seamus Cullen gave a very impressive performance as Che, demonstrating a quality in range of voice and clarity in diction. Seamus is one of those few actors, that one sees, that has persona on stage, and I like others were constantly drawn to see what he was doing, even when standing in the shadow of the upstage set. I must also confess that I do have an issue with the trend in television to “create” leading actors and actresses for West End roles, with those final ten battling it out in front of the nation for the main role, safe in the knowledge that as a minor celebrity name, will be offered roles by producers as a means to swelling audience sizes. However in Seamus there is a real talent and professionalism that simply shines on stage. He would have got this role irrespective of his celeb status, for he has a natural talent.

Mark Heenehan as Peron was impressive and special mention should be made as to the subtle way in which he played his part. It could have been very easy for him to over play his role and thereby overshadow Louise. His vocal range was excellent and was matched by his acting capabilities.

James Waud as Magaldi was confident and comfortable in his role.  Nikki Mae as the Mistress gave a polished and moving rendition of Another Suitcase in Another Hall and was expertly backed by the male quartet who sang almost in whisper to help provide poignancy. Special mention should also be made of the young girl who sang so beautifully Santa Evita.

The set designs of Matthew Wright were minimalistic but extremely effective and were well complemented by the excellent lighting design of Mark Howett which created ambience and depth to the scenes.

This is a must see show and one that totally deserved the rapturous applause and limited standing ovation of an appreciative audience.